“展示”还是“显现”? 阅读矶崎新设计的中央美术学院当代美术馆 | Exhibition or Appearance? A Reading of Arata Isozaki’s Museum of Contemporary Art at the Central Academy of Fine Arts

“展示”还是“显现”?
阅读矶崎新设计的中央美术学院当代美术馆
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Exhibition or Appearance?
A Reading of Arata Isozaki’s Museum of Contemporary Art at the Central Academy of Fine Arts
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本文发表于《时代建筑》杂志2009年第1期
This article was published at 2009 - 1
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摘要
如果展场不再是“展示”展品的被动容器，而是“艺术”显现/发生的环境，那么在当代语境下将如何打开阅读美术馆的线索？文章试图从这个角度对日本建筑师矶崎新设计的中央美术学院当代美术馆进行阅读。
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关键词
展品／展场；艺术场所／场所艺术／艺术发生；存在／再现；展示／显现；白盒子；张力；胶体；塑性；复兴；先锋派；当代艺术／现代艺术
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ABSTRACT
If exhibition space is no longer a passive container of its exhibits, but rather a context for the appearance and taking place of art, then how can this understanding be unfolded in a contemporary milieu of reading an art museum? In this regard, this essay takes this path to a close reading of the Museum of Contemporary Art at the Central Academy of Fine Arts designed by the Japanese architect Arata Isozaki.
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KEY WORDS
Exhibit / Exhibition Space; Place for Art / Art of Place / Art Takes Place; Presence / Representation; Exhibition / Appearance; White Cube; Elasticity; Colloid; Plasticity; Revival; Avant Garde; Contemporary Art / Modern Art
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中图分类号：TU86(21)
文献标识码：A
文章编号：1005-684X(2009)01-0128-08